.RU
Карта сайта

Dv = Indicates a film shot on standard-definition Digital Video cameras. Hd

Scope Filmography: Z



Compiled by Gary Palmer

Key:



*

= Indicates that the photographic process has not been identified.

** = Indicates that the photographic process has been identified, but the entry itself is otherwise incomplete (director hasn't been verified, original title missing, etc.).

bw

= Black and white.

CGI

= Animated films which employ computer graphics rather than 'traditional' hand-drawn animation.

col

= Colour.

D:

= Director.

DV

= Indicates a film shot on standard-definition Digital Video cameras.

HD

= Indicates a film shot with HD cameras at a native 1.78:1 ratio, subsequently cropped to produce a 2.39:1 release print (35mm and/or D-Cinema).

HD Widescreen

= Indicates a film shot with HD cameras that employ a mechanism to alter the shape of the pixels that make up the HD image, thereby 'squeezing' a 2.33:1 or 2.37:1 image into the native 1.78:1 frame. This is subsequently 'unsqueezed' and rendered as a 2.39:1 release print (35mm and/or D-Cinema).

(I)

= Indicates a film produced for Internet distribution rather than cinema or home video, though such films may also be distributed across other platforms after their initial 'Net-only' premiere.

(LF)

= Large Format: This refers to any gauge larger than 5-perf 70mm, though not including VistaVision, Technirama or the various widescreen formats employed on certain movies throughout the 1920's and early 30's.

seq(s)

= Sequence(s).

S16

= Indicates a film shot in Super 16.

(TV)

= TV movie: Sometimes a film is produced specifically for television with a view to condensing the material for theatrical exhibition in non-domestic markets. With the dominance of 16:9 TV's and HD sets, allowing for easy letterboxing of 2.35:1 and 2.39:1 movies on wider TV screens, this has prompted some directors to use the scope frame for their TV productions. This is duly noted in the relevant entries.

(V)

= This designates a movie produced for - and released directly to - home video.

Entries which do not list a photographic format were shot 'open frame' (usually 1.37:1 for 35mm and/or 1.78:1 for HD) and framed within that open space for a 2.39:1 release print. This is the same principle as 'flat' films which are framed and cropped for a 1.66:1 or 1.85:1 theatrical print, and has more in common with 'cropscreen' than widescreen, though the results are often indistinguishable from the real thing. Some filmmakers use this format to impose a rigorous scope frame, but most of them use it to shoot for a variety of ratios, thereby compromising all of them, especially the intended theatrical ratio. These films are 'widescreen' only in the sense that 2.39:1 is the

primary

ratio, but they are simply cropped from one frame shape to another and do not employ any special photographic process.



DE ZAAK ALZHEIMER



(aka: The Alzheimer Case)
(aka: The Memory of a Killer)

Netherlands - 2003 - col

D: Erik Van Looy

ZAAT



(aka: Attack of the Swamp Creatures)

(aka: Blood Waters of Dr. Z)

(aka: Hydra)

USA - 1974 - col

D: Don Barton (and Arnold Stevens)

Techniscope

ZABRISKIE POINT



USA - 1969 - col

D: Michelangelo Antonioni

Panavision

ZAFRA



(aka: Sugar Harvest)

Argentina - 1959 - col

D: Lucas Demare

Alexscope

ZAKHAR BERKUT



Захар Беркут



USSR - 1972 - col

D: Leonid Osyka

Sovscope

[Some sources list this film as having been shot in Sovscope 70, but the information is difficult to verify. It may have been shot in 35mm and blown up to 70mm for theatrical release, but this cannot be confirmed]

ZANDY’S BRIDE



(aka: For Better, For Worse)

USA - 1974 - col

D: Jan Troell

Panavision

ZAN: KING OF THE JUNGLE



(see: Tarzán en la Gruta del Oro)

ZAPATA



(see: Zapata: El Sueño del Héroe)

ZAPATA: EL SUEÑO DEL HÉROE



(aka: Zapata)

Mexico - 2004 - col

D: Alfonso Arau

Univisium

2.00:1

ZAPATO



(see: Emiliano Zapata)

ZAPPER’S BLADE OF VENGEANCE



(see: Swordsman, The)

ZAPROSZENIE

*

(aka: The Invitation)

Poland - 1986 - col

D: Wanda Jakubowska

Anamorphic

ZARAK



UK - 1956 - col

D: Terence Young

CinemaScope

ZARDOZ



UK - 1973 - col

D: John Boorman

Panavision

4-channel stereo

ZA SRE

Ć

U JE POTREBNO TROJE

*

(aka: Three for Happiness)

Yugoslavia - 1985 - col

D: Rajko Grlic

ZATOICHI



(see: Zatoichi on the Road)

ZATOICHI: A LETTER OF CHALLENGE



(see: Zatoichi and the Fugitives)

ZATOICHI AND THE CHESS EXPERT



(see: Showdown for Zatoichi)

ZATOICHI AND THE CHEST OF GOLD



座頭市千両首

(aka: Masseur Ichi and the Chest of Gold)

Japan - 1964 - col

D: Kazuo Ikehiro

Daieiscope

ZATOICHI AND THE DOOMED MAN



座頭市逆手斬り

Japan - 1965 - col

D: Kazuo Mori

Daieiscope

ZATOICHI AND THE DRUM



(see: Zatoichi: Fighting Drums)

ZATOICHI AND THE FUGITIVES



座頭市果し状

(aka: The Blind Swordsman and the Fugitives)
(aka: Zatoichi: A Letter of Challenge)

(aka: Zatoichi the Blind Swordsman and the Fugitives)

Japan - 1968 - col

D: Kimiyoshi Yasuda

Daieiscope

ZATOICHI AND THE SCOUNDRELS



(see: Zatoichi on the Road)

ZATOICHI AT LARGE



座頭市御用旅

Japan - 1972 - col

D: Kazuo Mori

Tohoscope

ZATOICHI AT THE BLOOD FEST



(see: Zatoichi’s Conspiracy)

ZATOICHI BREAKS JAIL



座頭市牢破り

(aka: The Blind Swordsman’s Rescue)
(aka: Zatoichi’s Rescue)
(aka: Zatoichi the Outlaw)
Japan - 1967 - col

D: Satsuo Yamamoto

Daieiscope

ZATOICHI CHALLENGED



座頭市血煙り街道

Japan - 1967 - col

D: Kenji Misumi

Daieiscope

ZATOICHI: CRAZY JOURNEY



(see: Zatoichi the Fugitive)

ZATOICHI: FIGHTING DRUMS



座頭市喧嘩太鼓

(aka: The Blind Swordsman and the Drums)

(aka: The Blind Swordsman Samaritan)

(aka: Samaritan Zatoichi)
(aka: Zatoichi and the Drum)
(aka: Zatoichi the Blind Swordsman Samaritan)
Japan - 1968 - col

D: Kenji Misumi

Daieiscope

ZATOICHI IN DESPERATION



新座頭市物語・折れた杖

Japan - 1973 - col

D: Shintarô Katsu

Tohoscope

ZATOICHI MEETS THE ONE ARMED SWORDSMAN



新座頭市・破れ!唐人剣

(aka: The Blind Swordsman Meets His Equal)

Japan/Hong Kong - 1971 - col

D: Yasuda Kimiyoshi, Hsu Tseng-hung

Daieiscope

ZATOICHI MEETS YOJIMBO



座頭市と用心棒

Japan - 1970 - col

D: Kihachi Okamoto

Daieiscope

2014-07-19 18:44
  • Контрольная работа
  • Контрольная работа
  • Контрольная работа
  • Контрольная работа
  • Контрольная работа
  • Контрольная работа
  • Контрольная работа
  • Контрольная работа
  • Контрольная работа
  • Контрольная работа
  • Контрольная работа
  • Контрольная работа
  • Контрольная работа
  • Контрольная работа
  • Контрольная работа
  • Контрольная работа
  • Контрольная работа
  • Контрольная работа
  • Контрольная работа
  • Контрольная работа
  • Контрольная работа
  • Контрольная работа
  • Контрольная работа
  • Контрольная работа
  • Контрольная работа
  • © sanaalar.ru
    Образовательные документы для студентов.